Canon 30DCanon 24-70mm f.2.8L
Shutter Speed 1/1000
Aperture f/2.8
Focal Length 68.0 mm
ISO 100
Natural Light
Thank you Sere for giving me a reason to play with a new toy. Let me explain. A good friend of mine was helping me brainstorm about my previous post (the kaleidoscope one). I mentioned that I would like to play with a prism and asked if he had one. He didn't but he did have 3 lenses that you would find in a projection TV. Furthermore, he said I could have them! I immediately started trying different techniques and ideas but couldn't really come up with anything good. In the meantime, I managed to get this picture of the moon with the kaleidoscope and sort of forgot about the lenses.
At this point I must explain these lenses a bit more. To be clear, these are not the kind of lenses you put on your camera. They are in fact very high quality and include a glass element that is frankly the best magnifier of sunlight this side of the Mississippi! Which brings me to possibly the best part of this post.
Picture this: sitting at a red light (a long one too) with the lenses sitting on the passenger side floor (can't have them on the seat - they might burn up my car!) and an empty envelope on the passenger seat. It's a very bright day and the sun is high in the sky. What do I do? I immediately pick up a lens and the envelope and start focusing the intense sunlight onto said envelope. 2 seconds later (and I'm not exaggerating!) there is a smoking hole in the envelope and the laser this thing is throwing off has gone to work on my shorts! Luckily I managed to regain some level of maturity early enough to prevent the need for skin grafts. However, I was holding a smoldering envelope on RT 14 no less and the light was turning green. So I blew on it which of course promptly stoked the fire...literally! Now I have open flame in my car. FABULOUS! I managed to extinguish the blaze by holding it out the window whilst accelerating to 40 MPH in a 30 for the express purpose of putting out the fire. Yeah, safety first. That's me all the way. I can imagine what my insurance agent would say!
Which brings me to this photo...finally. When I heard about Sere and Johnny's fire I immediately said a prayer of thanks that no one was hurt. By the time she posted pictures of the blaze I was ready to be inspired and immediately thought about how to capture the really cool effects of this TV lens. One thing led to another and I ended up with this photo. I won't say exactly what it is but I want to hear what you all think. It's easy for me to see everything for obvious reasons but I'm curious about it's ambiguity.
I needed my remote trigger and tripod for this. Plus, I used the rapid shutter function, which on my camera allows me to take 5 shots per second. Additionally, it was important to operate in full manual mode so that the camera's metering didn't screw up the exposure. It was a lot of fun and I would encourage all of you to take some time to set-up something that makes you curious. I used to scoff at tripods and remotes and thought it was important to be mobile at all times. Though I still believe being mobile is great, I've learned to love taking my time and really thinking about the set-up and the lighting. I've learned so much by going slow and I think we all could. In the meantime, just remember: do NOT focus sunlight with anything while driving in the car.
At this point I must explain these lenses a bit more. To be clear, these are not the kind of lenses you put on your camera. They are in fact very high quality and include a glass element that is frankly the best magnifier of sunlight this side of the Mississippi! Which brings me to possibly the best part of this post.
Picture this: sitting at a red light (a long one too) with the lenses sitting on the passenger side floor (can't have them on the seat - they might burn up my car!) and an empty envelope on the passenger seat. It's a very bright day and the sun is high in the sky. What do I do? I immediately pick up a lens and the envelope and start focusing the intense sunlight onto said envelope. 2 seconds later (and I'm not exaggerating!) there is a smoking hole in the envelope and the laser this thing is throwing off has gone to work on my shorts! Luckily I managed to regain some level of maturity early enough to prevent the need for skin grafts. However, I was holding a smoldering envelope on RT 14 no less and the light was turning green. So I blew on it which of course promptly stoked the fire...literally! Now I have open flame in my car. FABULOUS! I managed to extinguish the blaze by holding it out the window whilst accelerating to 40 MPH in a 30 for the express purpose of putting out the fire. Yeah, safety first. That's me all the way. I can imagine what my insurance agent would say!
Which brings me to this photo...finally. When I heard about Sere and Johnny's fire I immediately said a prayer of thanks that no one was hurt. By the time she posted pictures of the blaze I was ready to be inspired and immediately thought about how to capture the really cool effects of this TV lens. One thing led to another and I ended up with this photo. I won't say exactly what it is but I want to hear what you all think. It's easy for me to see everything for obvious reasons but I'm curious about it's ambiguity.
I needed my remote trigger and tripod for this. Plus, I used the rapid shutter function, which on my camera allows me to take 5 shots per second. Additionally, it was important to operate in full manual mode so that the camera's metering didn't screw up the exposure. It was a lot of fun and I would encourage all of you to take some time to set-up something that makes you curious. I used to scoff at tripods and remotes and thought it was important to be mobile at all times. Though I still believe being mobile is great, I've learned to love taking my time and really thinking about the set-up and the lighting. I've learned so much by going slow and I think we all could. In the meantime, just remember: do NOT focus sunlight with anything while driving in the car.
